姑苏,我数十年来每每造访,总有说不清的情由。那里有明代吴门派的余绪、近代艺坛传承的血脉,更有我所熟识的前辈、同道。费新我、谢孝思、瓦翁、吴(?)木、沙曼翁……他们的名字串成一道姑苏艺坛的风景线。如今,这些老人先后驾鹤西去,留在姑苏艺术天空的是一颗颗璀璨的星辰。沙曼翁先生在这一辈老人中是以书法与篆刻独占一席的。我第一次看到沙老的法书,是上世纪七十年代,在林散之老 Gusu, I have often visited in decades, there are always unscripted circumstances. There are Yu Wu of the Ming Dynasty sentinel, the bloodline of the modern art world heritage, more I know the predecessors, fellow. Feixin I, Xie Xiaosi, Weng Weng, Wu (?) Wood, Shaman Weng ... their name into a landscape art scene in Suzhou. Nowadays, these elderly people drive the crane west one after another, leaving bright stars in the art sky of Suzhou. Mr. Shaman is a monolith in calligraphy and seal cutting among this generation of seniors. The first time I saw Sandy’s law book, it was the seventies of last century, the oldest in Lin San