南朝梁代杰出的文艺理论家钟嵘(468-518)在其《诗品序》里提出关于文艺家的创作历程中务必“直寻”的主张,他说“至乎吟咏情性,亦何贵于用事?‘思君如流水’,既是即目,‘高台多悲风’,亦唯所见;‘清晨登陇首’,羌无故实,‘明月照积雪’,讵出经史。观古今胜语,多非补假,皆由直寻。”南朝宋齐时代诗歌创作竞相用典故,失去诗歌感人 Liang Rong (468-518), an outstanding literary theorist in the Liang dynasty, proposed in his Book of Poetry the idea of ​​“seeking straight” in the creation process of literary and artistes. He said: “Mostly chanting , But also what is more expensive to use? ’Sijun such as water’ is both immediate, ’high platform sad,’ and only seen; ’early morning Gordon Long’, Qiang no reason to believe, ’moon shines snow’ The history of the concept of ancient and modern language, more than non-fake, all by straight looking. ”South Song Dynasty Qi poetry competing with allusions, loss of poetic touching