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人总是被某种力量无形掌控束缚,从生到死,这种限制伴随始终。余华以独特视域阐释中国式的生存哲学,展现于荒诞世界和受限的命运夹缝中苦苦挣扎的群众,或反抗或忍耐,执着于生命存在,真实反映生存与死亡的悖论,蕴含作者对生之探讨和生存困境的反思。本文以中国传统文化中乐感品格为切入点,解读余华转型后《活着》《兄弟》两部作品中蕴含的生存哲学。
People are always shackled by the invisible control of a certain force, from birth to death, this restriction always accompany. Yu Hua interprets Chinese-style existential philosophy from a unique perspective, shows the struggle between the absurd world and the limited fate, or resists or endures, persists in the existence of life, truly reflects the paradox of existence and death, and contains the author Reflection on Existence and Existential Predicament. This article takes the musical character in Chinese traditional culture as the starting point and explains the philosophy of existence contained in the two works of “living” and “brother” after the transformation of Yu Hua.