这些年,我的确写了很多关于云南的诗稿,这是因为我认为云南是一个诗歌出没的地方。礼失求诸于野,云南有足够多的野,野外,野草,野山,野水,野之间的人民及其文明,我之写作,类似于古代的采诗官。稍有不同的是,采诗官得到的诗稿,意在建构中国古老诗歌的最初庙宇,我在野地上得到的一切,则意在搭设一个可以体现我诗歌梦想的纸上荒野,并借以反对身边猖狂、霸道的诗歌政治学,以及颠覆了千年文明的工 In recent years, I did write a lot of poems about Yunnan because I think Yunnan is a place where poetry can not be found. Rites seek out wild, Yunnan has enough wild, wild, wild grass, wild mountains, wild water, wild people and their civilization, my writing, similar to the ancient poetry officer. What is slightly different is that the poems collected by the poetic officer are intended to construct the first temples of ancient Chinese poetry. Everything I get on the field is intended to set up a paper wilderness that can reflect my dream of poetry and oppose it Rampant, overbearing poetry politics, and workers who subvert the millennium civilization