二、三十年代许多作家如蒋光慈、叶紫等的 作品,多犹如铅画,或批判或激赏,或憎恶或悲悯,黑白分明,一目了然。窥一篇作品往往可见当时社会的主要矛盾乃至全貌。同时期的沈从文则不然,他的单篇作品一般不是五脏俱全的剖视人生的麻雀,而只是大海之涓滴,是社会人生的一爪一鳞。只有从对其作品的整体把握中,才能真正认识单篇作品的丰厚内涵。 In the 1920s and 1930s, many writers such as Chiang K’ang-ts’i and Ye Zi were mostly at work at a glance such as lead painting, criticism or appreciation, or disgust or compassion. Seeing a work often shows the main contradictions and even the whole picture of society at that time. Shen Congwen of the same period is not the case, his individual works are generally not a fully featured life sparrow, but the trickle of the sea, is a claw of social life. Only from the overall grasp of his work, can we truly understand the rich content of single works.