“巴罗克”不仅是一种艺术风格,而且是一种审美风尚;不仅是一个学术术语,而且是一个诗学范畴;在美学上它属于重主观的“表现论”范畴,与重客观的“模仿论”美学范畴相对立;在哲学上它与康德的主观唯心论相联系,而与黑格尔的客观唯心论相对立。本文旨在探讨巴罗克的由来、成就、总体美学特征及其现代艺术基因等话题,以期引起学界对西方巴洛克艺术的持续关注。 “Baroque” is not only an art style, but also an aesthetic style; it is not only an academic term but also a poetic category; in the aesthetic sense it belongs to the category of “subjective” expressionism, And the objectivity of the “imitation theory ” aesthetics category opposite; in philosophy it is associated with Kant’s subjective idealism, and opposed to Hegel’s objective idealism. The purpose of this article is to explore the origin, achievements, overall aesthetics characteristics of baroque and its gene of modern art and so on, in order to arouse the continuous attention of the academic community to western Baroque art.