“中西合壁与不中不西,仅仅是一线之隔,必须慎重对待。”这是美籍华裔建筑大师贝聿铭对北京市城建规划提出的语重心长的告诫,贝聿铭先生说的是建筑艺术,可它于我们民族管弦乐队现状的剖析不无启示意义。我们反躬自问:民族乐队的结构在中外因素的结合方面,有否貌似浑然一体而实则格格不入的弊端尚未被察觉?这须要结合乐队结构体制的形成发展过程来观察。 “The integration of the West and the West is not just not in the West, but just in the same line and must be treated with caution.” This is a caution raised by IM Pei, the architect of Chinese-Chinese architecture, who spoke in earnest about the urban construction plan for Beijing. Art, but it in our national orchestra status analysis is not without significance. We argue ourselves: is the structure of a national orchestra in the combination of Chinese and foreign factors, whether it looks like a whole, but in reality is not aware of the disadvantages of alienation? This must be combined with the formation and development of the band structure system to observe.