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通常来说,艺术评论家和史学家一直难以紧跟表现当代文化的艺术作品动向,因为当代文化和无处不在的先进科技间的关系在文化的定义中越发具有决定性。在历史上,艺术一方面要与其所处时代的动荡、特性和进步相对应,同时又不断建构这一学科与世隔绝的美学语言系统。但是当现今的艺术创作与艺术史中任何先鉴的审美与逻辑相背离时会发生什么?我们义该如何将这种仍处于萌芽阶段并解析自身存
In general, it has been difficult for art critics and historians to keep up with the art of contemporary culture, as the relationship between contemporary culture and ubiquitous advanced technology is increasingly decisive in the definition of culture. Historically, art must, on the one hand, correspond to the turmoil, characteristics and progress of the time in which it is located, while at the same time continuing to construct the worldly esthetic language system of this discipline. But what happens when the aesthetic and logical aspects of any prior art in the contemporary art creations deviate from the art history? How can we define this still in its infancy and resolve its own existence?