大凡一件根艺作品,一般只有一个观赏面,而一根一形一意者颇多。有两个或两个以上的观赏面,且又一根多形多意者,亦有之,但为少见。我创作的《牛狮同体》即是一件两面观作品。我在创作时,经历过一个较长的反复构思过程,除顺其自然地做些必要的删截外,未施什么较大的雕凿与拼接,完全保留了根材的天然形态,气韵生动。其发现、构思和创作过程如下:1993年春天,偶得一从深山石缝中挖掘出来的野檀枯根,高1.3m,直径0.60m,盘根错节,外形极怪,看上去仿佛一件花盆几架。经过脱皮处理,只见纹理清晰,瘤美观,不禁喜出望外,爱不释手。当时觉得,如果将此制作一件花盆几架,未免降 Generally a root art works, generally only one viewing surface, while a lot of one shape and one intention. There are two or more viewing surface, but also a polygamous, but also rare, but also rare. My creation of “Bull Leo” is a two-sided work. When I was writing, I went through a long process of repeated ideas. Except for the necessary punctuality, I did not impose any major carving and splicing, completely retaining the natural shape of the root material, . Its discovery, conception and creation process are as follows: In the spring of 1993, even a wild sandalwood root excavated from a deep mountain stone crevice was 1.3m high and 0.60m in diameter. The root of the sandalwood was very irregular and its appearance was very strange. It looked like a flowerpot A few. After peeling treatment, I saw a clear texture, beautiful appearance, can not help but overjoyed, put it down. At that time, I felt that if I made a few flowerpots this way, I could not drop it