论文部分内容阅读
近二十年来,女性作家的创作几乎成为一种最为激进的文学话语实践,她们的表达方式、感受世界的独特视角以及无所顾忌的我行我素的极端姿态,都给人一种惊世骇俗之感。这种感觉并不仅仅源于“错综复杂的女性性格只有妇女才能理解”(黛娜·马洛克《文学盗尸
In the recent two decades, the creation of female writers has become almost the most radical literary discourse practice. Their expressions, the unique perspectives of feeling the world and the unspeakable extreme attitude of going their own ways give a sense of shock. This feeling does not come solely from “intricate female character can only be understood by women” (Dina Malloch)