冯骥才说:巴黎的历史保护得这么好,要感谢三个作家。第一个是雨果,他写了《向拆房者宣战》;第二个是《卡门》的作者梅里美,他成立了一个古典建筑监督委员会;第三个是马尔乐夫,在工业化进程中,提出在全法国进行文化普查,“大到教堂,小到汤匙”都要很详细地登记。这种对传统的保护意识,使法国成为文化上的超级大国。而我们的城市,没有文化规划,只有使用规划。一个城市的景观和特征,是 Feng Xiaocai said: The history of Paris has been so well protected, thanks to three writers. The first was Hugo. He wrote “Declaration of War to Demolitionists.” The second was Merimee, the author of “Carmen,” who established a classical building supervision committee. The third was Marlov, who was in the process of industrialization. In the media, a cultural census was conducted in France, and “too large to a church and small to a spoonful” must be registered in great detail. This awareness of traditional protection has made France a cultural superpower. In our city, there is no cultural plan, only use planning. The landscape and features of a city are