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改革开放迎来了强调个性的现代艺术潮流,在东西文化的冲突中,当代中国画坛正步入表现形式多样化的过程,不可回避地面对如何向现代蜕变的课题。美展评价的争议:理论界众说纷纭互相矛盾的观点;画家思想的混乱与茫然;仓促无序的运作等种种现象,显示了当代中国画家所面临的先所未有的困惑:如何在这种复杂的情况下,正确把握自己学习的范围和形式探索的方向而趋于现代?笔者在此想借西方现代心理学的观点,从新的角度来剖析这一课题,以求有助于我们更为有效自觉地尊重自己的个性价值,顺应自己的思维模式的可能潜力,来架构扩展自我的个性化表现语言。
In the course of the conflict between Eastern and Western cultures, contemporary Chinese painting circles are entering the process of diversifying their forms of expression, and they can not but shy away from the task of how to transform themselves into a modern one. Disputes over the evaluation of the art exhibition: There are many contradictory opinions in the theory circle; the confusion and daziness of the painter’s thought; the operation of the disorderly and disorderly operation and other phenomena show the unprecedented confusion faced by contemporary Chinese painters: Under the circumstance, I correctly grasp the scope of my study and the direction of the form of exploration to modern? I would like to take the Western modern psychology point of view, from a new perspective to analyze this issue, in order to help us more effectively conscious To respect their own personality value, to adapt to the potential of their own thinking mode, to construct self-expanding self-expression language.