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(本文原刊于《理论探讨》2013年8月刊P249-P250)版画语言所具有的新颖性与版画创造过程中的点、线、面、机理等印痕特征是密不可分的。其版画的创作者就是通过这些特殊的要素来寻找更加丰富的版画艺术的语言形式的。随着科技的突飞猛进,在版画行业,更多的是注重版画艺术的自由表现,但是它却和我们在传统意义上的版画形式之间产生了矛盾。因此现阶段很有必要从版画传统的画、刻、印三个方面来重新了解它独特的艺术语言形式。
(This article was originally published in P249-P250, August 2013, Theoretical Discourse) The novelty of print language is inextricably linked with the imprint features such as point, line, surface, and mechanism in the process of printmaking. The creators of printmaking seek the richer language of printmaking art through these special elements. As technology advances by leaps and bounds, more emphasis is placed on the free expression of print art in the printmaking industry, but it contradicts our tradition of printmaking. Therefore, at this stage, it is necessary to regain its unique artistic language form from three aspects of traditional painting, engraving and printing.