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李国文的《冬天里的春天》为“反思”小说的代表作。小说以于而龙回到30年前战争年代的根据地石湖查找暗杀前妻芦花的凶手为线索,通过对他查找期间的经历、见闻、联想、回忆等的叙述以及由此描摹出来的于而龙、王纬宇、芦花等人物形象,从一个特定的视角反映了从抗日战争到粉碎“四人帮”长达40年的社会风貌;揭露和鞭挞了“文革”的破坏性,探讨了“文革”产生的根源以及如何避免“文革”重演之类的问题;歌颂了人性美、人情美,鞭挞了人性恶。小说人物众多而又个性鲜明;运用了“意识流”、“蒙太奇”、象征等西方现代派小说常用的手法;情节扑朔迷离,跌宕起伏;线索纷繁而又主线分明;注重描写心理;环境描写与内容相参照;抒情色彩浓郁;开启了当代小说叙事创新的先河。
Li Guowen’s “Spring in Winter” is the masterpiece of “Reflection”. The novel is based on the clues that the dragon returned to the base of Shih-lah, the base of the war 30 years ago, to find out the murderer of the ex-wife aloe, through the narration of his experience, knowledge, association and memories during his search and the resulting dragon Wang Weiyu and alopecia reflect the social outlook of 40 years from the Anti-Japanese War to the smashing of the “gang of four” from a particular perspective. They have exposed and lashed the destructive nature of the “Cultural Revolution” and explored “ Cultural Revolution ”and how to avoid such issues as the“ Cultural Revolution ”. They praised the beauty of human nature, the beauty of human beings, and lashed out the evil of human nature. There are numerous and distinctive characters in the novel; they use the commonly used techniques of the “stream of consciousness”, “montage”, and symbolism in modern Western novels; the plot is confusing, ups and downs; the clues are numerous and the main line is clear; Environmental description and content of the reference; lyrical color rich; opened the first novel of contemporary narrative innovation.