近年来,随着商品经济的发展,个体户在城乡人民经济生活中已成为不可缺少的组成部分、反映个体户生活面貌,塑造个体户形象的影片也陆续出现。如《雅马哈鱼档》、《珍珍的发屋》、《街市流行曲》、《嘿、哥儿们》、《花街皇后》等等。令人遗憾的是,这些影片都是在千人一面地宣传,赞颂个体户心地善良、为人正直、乐善好施、遵纪守法的『光辉形象』有的影片中『搭配』出现的个别有投机取巧行为,或有某种『劣迹』的个体户角色到头来也基本是改过后受人敬,浪子回头金不换形象,对电影中这种大量赞颂个体户的现象怎么看呢?我们认为,从艺术的某种功利性需要着眼,这种溢美是可以理解的。但毕竟不能脱离生活太远。当前的状况是,我们的个体 In recent years, with the development of the commodity economy, self-employed individuals have become an integral part of the economic life of urban and rural residents, reflecting the life outlook of self-employed individuals and the filming of self-employed individuals. Such as “Yamaha fish stalls,” “Jane’s hair house”, “Street Pop,” “hey, buddies,” “Flower Queen” and so on. Regrettably, these films are all individually opportunistic and “opportunistic” in the one-thousand-person publicity campaign, praising self-determined benevolent, honest, caricatured and law-abiding “glorious images” or In the end, the role of self-employed individuals who have some “bad track” is, in the end, basically respected by the prodigal and prodigal son, and what does it mean for such a large number of films praising self-employed individuals? We think that there is a need for some kind of utility in the arts This overflowing beauty is understandable. But after all, can not be too far from life. The current situation is that of our individual