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古典绘画的婆娑光影,摇曳在Cally Whitham的反光镜中,飞禽被人格化,仿佛文艺复兴时的标准美少妇。摄影师担当忠实的护航使者,用目光陪伴它们的归途。对生灵的深情凝视,像安哲罗普洛斯沉默的长镜头,一帧帧都是辩证而诗意的画面,游走于真实、虚幻与超现实之间,创造出时间在空间之中的流动。
The whirling light and shadow of classical paintings, swaying in the mirror of Cally Whitham, the birds were humanized, as if the standard beauty of the Renaissance young women. Photographers serve as loyal escort messengers, with their eyes to accompany their return. Deep-seated visions of the creatures, such as the silent long shots of Angelopoulos, are dialectical and poetic images of a frame that travels between real, fantasy and surreal, creating a flow of time in space.