论文部分内容阅读
康有为在《广艺舟双楫》开篇就认为书法艺术:“可著圣道,可发王制,可洞人理,可穷物变。”〔1〕这是把书法提升到极高的哲学地位上来,也是康有为对书法超乎前人的思维,更是对古代哲学中“技进乎道”的大力肯定和阐释。书法艺术如何由“技进乎道”是康有为必须面对、解决、表达的重要题中之义。通过对《广艺舟双楫》的研究,我们发现,康有为对“气”和“象”两个概念的解读和运用,恰好解决了上述的问题。因此,
Kang Youwei at the opening of the book “Guang Yi Zhou Shuang” thought that the art of calligraphy: “can be holy, can be made of kings, holes in human reason, can be poor things change.” [1] This is the calligraphy to a very high Philosophical position, but also Kang Youwei calligraphy beyond the thinking of the predecessors, but also on the ancient philosophy of “technical excellence” and the strong affirmation and interpretation. How the art of calligraphy is translated from “technique to technique” is the meaning of the important questions that Kang Youwei must face, solve and express. Through the study of “Guang Yi Zhou Shuang”, we find that Kang You-wei solved the above-mentioned problems just by interpreting and applying the concepts of “Qi” and “Xiang”. therefore,