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锦云的多场现代悲喜剧《狗儿爷涅槃》,奠定了他在当代剧坛的地位。这是在上个世纪80年代探索戏剧热潮的影响下,吸收中国戏曲表现手段熔炼出来的一部杰作,被人誉为“中国的《推销员之死》”。进入90年代,锦云创作了一系列反映城市下层人民命运的话剧,这些作品风格上有所变化,政治背景越来越淡化,人物形象不再高度典型化,而人物的情感、剧作的情绪成为艺术的中心。《背碑人》是过渡性的作品,《阮玲玉》是新的实验,《风月无边》则是新风格的代表性作品。这些作品以情绪为表现的主要对象,力求展现人物情感被戕害、自由意志被蹂躏的悲情,给人以主观情绪上的感染,因而具有极强的抒情写意性。
Jin Yun’s many modern tragedy comedy “Gaddy Nirvana”, laid him in the contemporary theater status. This is a masterpiece that absorbed the expression of Chinese opera under the influence of the exploration of drama in the 1980s and was hailed as “the death of a salesman in China.” Into the 90’s, Jinyun created a series of plays that reflect the fate of the people in the lower cities. These works have changed in style, the political context has become more and more desalinated, the characters are no longer highly typical, and the emotions of characters and emotions of drama Become the center of art. “Bei Bei Ren” is a transitional work, “Ruan Ling Yu” is a new experiment, “Fate and Boundless” is a representative of the new style of work. These works, whose main object of emotion is performance, seek to show the tragedy of desecration of human emotions and the devastation of their free will, giving people the subjective emotional contagion and thus have extremely strong lyrical and freehand writing.