《黑地狱》是左翼戏剧的一个经典转折,是国防剧运动的重要收获,它从民族主体的角度质询了天津海河浮尸事件,追问个体在国家与民族身份上的自我疏离,也触及民族国家历史嬗变中的过渡体现象,显示旧的毁灭与新的萌芽之间一体二面的存在。 “Black Hell” is a classic turning point of the left-wing drama. It is an important achievement of the national defense drama movement. It inquired into the corpse of the Haihe River in Tianjin from the angle of the national subjectivity, queried the individual’s alienation from the identity of the country and the nation, and touched upon the history of the nation-state The transformative transitional phenomenon shows the existence of an integrated one between the old and the new.