塞缪尔·约翰逊博士说过:“对于一个为空幻症所缠绕的人来说,当他享受了原来可望不可及的豪华生活之后,除了固执己见地去探究他所热切希望得到的一切真正有价值的东西,再也没有什么灵丹妙药所可疗治的。”《远大前程》就是这样一种探究性的作品。它把一种孤独意识弄进一系列人际关系之中,而又把每一种人际关系集中于他们所受到的种种教育上。虽然这本书作为狄更斯喜剧精神的始衰终兴而受到欢迎,但是,他初期小说中的质朴、欢快的乐观主义早已荡然无存了。于是,他便转向于描写扭曲和倍受折磨的爱情的一系列探索之中。当然,这些畸型的爱情普遍存在于扑朔迷离的大千世界上。诸如《荒凉山庄》是一个由迷雾和毛絮包裹的世界;《艰难时世》是由冰冷恬静的星空所伪装的混乱世界,而《小杜丽》则是描述一个监狱如林的世界,一个是非颠倒和黑白混淆的世界,一个充满着颓唐、荒诞的梦幻,而理应受到极度鞭挞的世界。喜剧的火花被 Dr. Samuel Johnson said: “For a man entangled in an illusory disease, after enjoying the luxurious life he could not possibly have had before, except for his stubbornness to explore what he is really keen to get The value of things, there is no cure for the cure. ”“ Great Expectations ”is such an exploratory work. It takes a sense of loneliness in a series of interpersonal relationships, and concentrates every interpersonal relationship on the kinds of education they receive. Although the book was welcomed as the beginning of Dickens’ comedy, the simple, cheerful optimism of his early novels had long ceased. As a result, he turned to a series of explorations of distorted and tormented love. Of course, these abnormal love generally exist in the confusing world. Such as “Bleak House” is a fluff wrapped by the fog and the world; “Hard Times” by the icy quiet sky camouflage chaotic world, and “Little Dorrit” is a prison described as the world’s forests, a It is a world that is not upside down and is confused with black and white, a world full of decadent, absurd dreams that deserves to be extremely lashed. The spark of comedy is