一、顺治朝的缠枝纹制品明清政权交替时期,虽然明御厂退出历史舞台,但御厂工匠流散民间,极大促进了官窑制作技术在民间的推广流传。同时,由于没有以往的国法制约,民窑制作出现了很大的自由空间,无论是以往严禁的色釉还是绘画题材都可以无拘无束地发展制作。在民窑业呈现一片欣 First, the Junzhi Dynasty twists and grain patterns Ming and Qing regime alternation period, although the Ming Yu plant exit the stage of history, but the Royal plant artisans to disperse folk, greatly promoted the kiln production technology in the folk spread. In the meantime, there is a lot of free space for the production of folk kilns due to the absence of the previous national laws and regulations. Both glazed and painting themes that were strictly prohibited in the past can be freely developed and produced. In the civilian kiln industry presents a welcome