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苗族人民自其始祖蚩尤战败后,自北到南,由东而西,转辗迁徙,足迹遍布半个中国,乃至国外。因此,反映战争、迁徙方面的舞很多,构成了史诗舞蹈的系统。它既是用来表达先民的艰苦奋斗精神,又是用以激发苗民的战斗意志,保卫民族生存。学术界有一种观念:舞蹈是长于抒情,短于叙事。然而,苗族史诗舞,恰恰与其相反。苗族叙事性的史诗舞,不仅长盛不衰,而且丰富发达,可谓到了什么事情都用舞蹈来表达的地步,凸显其浓厚的民族特色。
After the defeat of its ancestor Qiuyu, the Miao people flew from north to south and from east to west, turning to rolling migration. They covered half of China and even abroad. Therefore, reflecting the war, a lot of dance moves, constitute the epic dance system. It is not only used to express the hard-working spirit of the ancestors, but also to stimulate the fighting spirit of the Miao people and defend their national survival. Academics have a concept: dance is longer than lyrical, narrower than narrative. However, Hmong epic dance, exactly the opposite. Miao narrative epic dance, not only prolonged but also rich and developed, can be described as anything to use dance to express the point, highlighting its strong national characteristics.