作品赏析:此书笔力道劲,点划挺拔,轻重分明,划之中截纯以中锋提运,故一钩一捺,有千钧之力,而划之两边不光而毛,极富质感,有虽疫而实腴,似癯而实清之妙。其用笔富于变化,气均力匀;在处处表现运锋着实的同时,也往往参用轻盈飘洒、灵活自然的笔墨。起笔轻捷,收笔沉着,主要笔划适当地伸展,给人以笔势翩翩、潇洒大方、平和闲雅、神爽超迈的感觉。历代书家对此作赞誉甚高,如宋苏轼评曰:“清远潇洒,微杂隶体。”元赵孟頫说:“褚《倪宽赞》,容夷婉畅,如得道之士,世尘不能一毫婴之。”明杨士奇评云:“评者认为字里金 Appreciation of the works: This book is hard, point out tall and straight, light and clear, zoned to the center of pure transshipment, so a hook a Na, a karmic force, and draw both sides not only hair, very rich texture, Although there is an epidemic, it seems like a real thing. The pen is rich in change, uniform air evenly; everywhere Yunfeng real performance at the same time, often with light floating, flexible and natural ink. Pen light, pen close, the main stroke properly extended, giving a person with a light, generous, elegant and elegant, super cool feeling. The ancient book lauds praise for this, such as Song Su Shi Ping said: ”Qingyuan chic, micro-hybrid body.“ Yuan Zhao Mengfu said: ”Chu“ Ni wide like, ”Rong Yi Wan Chang, such as the moral Shishi, world dust can not be a single baby. “” Ming Yang Ge Qi said: "Critics think the word gold