“后现代”在当代诗歌中的成为问题,已不容忽视。这一全球性“后现代气息”的漫延显然不以个人主观好恶为转移。无论你故作视而不见,还是反抗拒斥、抑或欢呼拥抱,潜在着的前提都是“后现代性”的不断增长及日益成为问题。“后现代主义”作为“现代主义”发展到高潮之后的巨大转型,它必将对大体从属于“现代主义”范畴的中国现代新诗创作及现代诗学研究发生根本性的影响。而今天,这种影响已经以层出不穷又前所未有的新现象、新问题形式大面积地表现在以“第三代诗人”为主体的“后朦胧诗”中了。 鉴于此,本刊组织了这次笔谈并期待更多的有识之士加入到对此问题各抒己见,百家争鸣的行列。 The problem of “postmodern” in contemporary poetry can not be ignored. The spread of this global “postmodernism” obviously does not shift from individual subjective likes and dislikes. Whether you turn a blind eye to it or refuse to resist it or cheer, it is the underlying premise that the “postmodernity” is constantly growing and increasingly a problem. Postmodernism, as a tremendous transformation after the climax of “modernism”, will certainly have a fundamental influence on the creation of modern Chinese poetry and the study of modern poetics which are generally subordinated to the category of “modernism.” Nowadays, this kind of influence has been presented in an endless stream of new phenomena that have never been seen before. The new problems are largely manifested in the “Back-hazy Poems” whose main body is “the third generation of poets.” In view of this, we organized this writing and look forward to more people of insight joining the ranks of expressing their opinions and contending for this issue.