初识吴兹明,是在我的一位同窗师兄编剧创作的戏中,剧名就叫《戏魂》,写的是歌仔戏艺人面对现代社会的种种冲击,在逆境中倔强奋斗、苦苦求索的遭遇。吴兹明承担了此剧的导演。剧中所描绘的一切,就象是他身旁发生的一样,在传统戏曲面临困顿的大背景下,他也成了剧中人。因此,他倾注心力,把剧中人面临困境时的“悲情”,顽强拼搏的“苦情”,以及对戏曲事业的“恋情”,融合于一体,在人与环境 First met Wu Ziming, is a fellow writer in my playwriting, drama called “opera soul”, is written in the face of modern opera artists opera all kinds of impact, in adversity stubborn struggle, hard Seeking the experience. Wu Ziming assumed the director of the play. Everything depicted in the play, just as happened beside him, became a playwright in the context of the traditional drama’s difficulties. Therefore, he devoted his efforts to merging the “tragedies” of the playwrights in times of predicament, the “plight” of indomitable struggle, and the “love affair” of the drama business, in a context of people and the environment