身为二次大战后婴儿潮一代,同时也是数码移民者,日裔美籍的布鲁斯米本在名为“亚洲调查”的个展中,揭层剖析叠构在媒体、媒材以及媒介之间的政治性,借着七件作品,以“亚洲性”为问题意识,贯穿米本近三十年的创作历程。如同高达为他自己的著作《电影:影片考古与世纪记忆》所撰写的序言:“我们都生于博物馆,毕竟这才是我们的家园。”透过高达深刻地反思当代 As a post-World War II baby-boomer generation who is also a digital immigrant, Japanese-American Bruce Mibin unveiled in a solo exhibition titled “The Asian Survey,” an analysis of the cohesion in media, media and media Between the political, with seven works, “Asia ” as the issue of consciousness, through the Miyamoto nearly thirty years of creative process. Like Gundam’s preface to his own book, “Film: Archeology and Memory of the Century,” “We were all born in museums, and after all, that’s our home.” "By reflecting deeply on contemporary