今天讲两个问题。首先,我们上次在国家画院的讲演说到今天研究中国画问题,它是个传统的题目但是现在不是在传统社会中,一旦接触这个问题就接触了矛盾和冲突。我们是在现代化的情境之下在研究传统的问题,是在中国急速现代化的过程中来重新激活发扬中国的传统艺术,这个传统艺术并不仅仅是古老的,它中间有一些因素如果让它发扬可能会成为人类文化的普遍因素、普遍原则。所以我们是在冲突的情境中讨论问题的,这个问题会遇到矛盾。现在的一些艺术 Talking two questions today. First of all, our last speech at the State Art Academy said that studying Chinese painting today is a traditional topic. However, it is not in the traditional society that once we encounter this problem, we come into contact with conflicts and conflicts. We are studying the traditional issues in the context of modernization. We are re-activating the traditional arts that carry forward China in the process of China’s rapid modernization. This traditional art is not merely ancient. There are some elements in it that allow it to flourish It may become a universal factor in human culture and a universal principle. Therefore, we are discussing the issue in the context of conflict. This issue will encounter contradictions. Some art now