朝日新闻编辑委员下村满子是日本唯一获得波恩——上田记念国际记者奖的女记者。她长于专访,以世界为舞台,访问过许多著名人物。其中有美国原总统卡持、未来学学者托夫勒、“经营之神”松下幸之助、好来坞女演员摩那哥王后格雷丝·凯利。1978年采访意大利女记者法拉奇,桀骜不逊的法拉奇向她倾诉了失去爱人的巨大悲痛,讲了自己的生死观,足足谈了两天。有人说,法拉奇的专访风格是“挑衅型”的,而下村满子则是“太阳型”的。她总是给人以安心感,让人在温和的气氛中敞开心扉。我在《国际新闻界》上读过下村的文章。她把访问比作敲鼓,认为敲出的声音不好,是敲击者力最不够,方法不对,而不能责怪鼓坏。这番话给我留下很深的印 Manchu Shimomura, Asahi Shimbun’s editorial board member, was the only female reporter in Japan who won the Bonn-Ueda International Journalist Award. She is longer than an interview with the world as a stage, visited many famous people. Among them are former U.S. President Katrina, future scholar Toffler, “God of Business” Matsushita Koizumi, Hollywood actress Queen of Costa Rica, Grace Kelly. In an interview with Italian female reporter Farach in 1978, faltering Fallach told her the great sorrow she lost her lover and told her about the concept of life and death for two days. Some people say that Faraki’s interview style is “provocative”, while Mancun is “sun-shaped”. She always gives a sense of peace, people in a mild atmosphere open their hearts. I read the article of Shimomura in “International Press.” She described the visit as a drummer, thinking that the sound of a knockout was not good, that she had the least amount of percussive force, that she was wrong in ways and that she could not blame the drummer. This remark left a deep impression on me