《窦娥冤》是元代伟大的戏剧家关汉卿的代表作,“也是元杂剧里面思想性和艺术性极高的代表作”。和一般的元杂剧一样,全剧分为四折一楔子。戏曲中以窦娥一生的坎坷经历为主要内容,以自叙的第一人称口吻叙述,表达了如翻江倒海般的悲怨、悲恨、悲离、悲愁。然而,她的“冤”不仅仅在于损了自己的性命,其关键在于她一生的坎坷经历,从文章看出“悲怨”是所有“冤”的基础和根源,若无“悲怨”则很难表达出她最终的含冤而死之动情之处,本文站在“悲怨”的基础上作出自己的判别。 “Dou E Yuan Wrong” is a great representative of the great dramatist Guan Hanqing of the Yuan Dynasty, and “is also an ideological and artistic masterpiece in the Yuan drama.” And the general Yuan Zaju, the play is divided into four fold a wedge. In the drama, Dou E’s life experiences as the main content, his narration as the first-person narrative, expressing his sadness and sorrow, grief, sorrow, sadness and despair. However, her “injustice ” is not only at the expense of her own life, the crux of which lies in her life’s rough experience. From the article it can be seen that “Sadness and Resentment ” is the basis and source of all No “sad and complacent ” is difficult to express her final injustice where the passion, this article stands on the “sadness ” based on their own judgment.