自上世纪五六十年代开始,漆画作为独立画种出现在人们面前,它是受传统文化影响最深,受外来文化影响最少的画种之一,承载着许多优秀的中国本土文化,是历史的见证者、继承者。然而如何让漆画艺术有更为广阔的良性发展空间,需要我们在立足于传统的基础之上大胆创新,去其槽粕取其精华,顺应时代发展的文脉,不断丰富漆画艺术的艺术语言,无论是从材质、技法还是装饰风格上,与时代接轨。 Since the fifties and sixties of last century, lacquer painting appeared as an independent type of painting in front of people. It is one of the most impacted by traditional culture and one of the least affected by foreign cultures. It carries many outstanding Chinese native cultures and is the history Witness, successor. However, how to make lacquer art have a broader and more benign development space, we need to boldly innovate on the basis of tradition, take its essence of trough, conform to the context of the development of the times, and constantly enrich the art of lacquer art Language, whether from the material, technique or decorative style, with the times.