本文分析了梨团戏民间戏曲《陈三》与解放后梨团戏和潮剧的改编本《陈三五娘》情爱观念的不同。试图以一个例子说明解放前后这段时间民间情爱观念与解放后官方所提倡的情爱观的差异.从一个角度去探索这种观念的变迁。 This paper analyzes the difference of love conception between “Chen San”, a folk drama of Pear Regiment and “Chen San Wu Niang”, an adaptation of Pear Regiment and Chao Opera after liberation. Trying to use an example to illustrate the difference between the concept of love and the concept of love advocated by the government after liberation during the period before and after the liberation, and to explore the change of the concept from a perspective.