明初,身处官僚阶层的士大夫们胸怀主流社会的诗教精神侧身曲坛,逐渐替代下层文人和民间艺人而成为戏曲创作的主体。他们出于业余爱好而创作戏曲,却无法摆脱诗骚风气的拘牵,仅将戏曲作为诗词的延续,对戏曲的曲文津津乐道,而疏于对故事情节、戏曲结构的安排和 At the beginning of the Ming Dynasty, the bureaucrats and bureaucrats in the bureaucracy regarded the poetic spiritual sideways music of the mainstream society and gradually replaced the lower literati and folk artists to become the main body of opera creation. They create drama for their hobby, but they can not get rid of the poetic genre. They regard drama as a continuation of poetry, talked about opera’s melody, neglecting the arrangement of the plot and the structure of opera