写愁,遣愁是中国古诗文的一大主题。现代散文家朱自清先生的《荷塘月色》继承了这一传统,是一篇典型的写遣愁的文章。人生不如意者十之八九,不宣泄出来是无法活下去的。对此,有人一醉方休浇块垒,有人依红偎翠得逍遥;有人抚琴长啸,有人长歌当哭,有人激扬文字。“一劲儿闷着,我是活不了的。”先生在《我的路》中如是说,为此他要寄情山水觅知音。这一意图,在《荷》的开篇就已表明了:“这几天心里颇不宁静”,于是先生走上了去荷塘遣愁的路。往下文章正是按这一思路发展下去的。这里有必要先说说晚唐诗人李商隐的诗《乐游原》: Writing chants and sending chants is a major theme of Chinese ancient poetry. Modern essayist Mr. Zhu Ziqing’s “Moonlight in the Lotus Pond” inherits this tradition and is a typical article written by the writer. Those who are not happy in life will not be able to live without venting. In response to this, some people get drunk and take a break, some are happy with the red jade; some people play the piano and long shouts, some long songs cry, and others spur words. “I’m not alive when I’m bored with stuff.” The gentleman said in “My Way” that he would like to have a friendship. This intention, at the outset of “He”, has already shown that: “In these days, my heart is not quiet,” and Mr. Yu walked up the road to Hetang. The next article is precisely based on this idea. Here it is necessary to talk about the poet Li Yue Yin’s poem “Le You Yu Yuan” in the late Tang Dynasty: