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王朔1992年发表的《动物凶猛》是对自己的生存经验的一种隐喻式的描写。在进入90年代商业文化背景之下,由于当代现实环境的影响以及所回忆的少年时代的懵懂无知,实际上,他们所缅怀的生活的美好在他们的回忆中又被消解了。而随之由姜文执导的影片《阳光灿烂的日子》就是在秉承这一思想内涵下向人们讲述那曾经勾起无数人回忆的特殊时期、特殊群体的生活。这种讲述从艺术审美和价值呈现的角度给人们带来了思考。
Wang Shuo’s “Ferocious Animals” published in 1992 is a metaphorical description of his own survival experience. Under the background of the commercial culture of the 1990s, the memories of the life they cherished were actually dissolved in their memories due to the influence of the contemporary real environment and the ignorance and ignorance of the recalled youth. And then the film directed by Jiang Wen “sunny day” is to uphold the connotation of this idea to tell people about the special period that has aroused countless memories, the lives of special groups. This kind of narration brings people thinking from the perspective of aesthetic appreciation and value presentation.