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剧作时代!故事为王!——《泰囧》《致青春》《北京遇上西雅图》等一系列中青年导演作品凭扎实的剧本和真挚的情感表达横扫市场之前,似乎没多少人愿意探讨一个好剧本对市场的意义何在。而现在,书店架上的一排排剧本写作教材,卖到几千块的罗伯特·麦基讲座门票,如雨后春笋般出现的编剧工作室、新媒体联合平台……似乎都在向人们宣告,那个有故事就有一切,有故事才有一切的编剧的黄金时代,似乎真的来了!但,事实确实如此么?一场突如其来的关于“拍戏是不是拍剧本”的全民狂欢式大讨论,又为这群一直在幕后默默无闻的笔杆子们引来了一片关注。
Drama Times - The Story of the King - “Thai embarrassment,” “Youth” “Beijing meets Seattle” and a series of young director’s works with a solid script and sincere emotion before sweeping the market, it seems that not many people are willing to explore What a good script means to the market. And now, rows of books on the shelves shelf writing textbooks, selling thousands of pieces of Robert McGee lecture tickets, mushroomed screenwriter studio, new media joint platform ... ... all seem to be announced to the people, that The story of everything, there is a story of all the screenwriter’s golden age, it seems that really come! But, the fact is true? A sudden on the “film is not filming,” the popular carnival debates , But also for this group has been behind the scenes unpredictable pen rod attracted attention.