依据逻辑与历史相统一的思维,黑格尔建立了一个庞大而完整的美学体系。本文认为,由于其逻辑起点“绝对理念”是一种独断论的精神产物。所以其逻辑与历史相统一的方法便带上了用逻辑切割历史的色彩。具体表现在:对“戏剧”这一艺术形式的划分并不符合艺术发展的逻辑,对舞蹈和某些东方艺术主观的忽略掉,并且依据其美学体系不能对新型艺术电影进行归类。 Based on the unity of logic and history, Hegel established a large and complete aesthetic system. This paper argues that because of its logical starting point, “absolute idea” is a spiritual product of dogmatism. Therefore, the method of unifying its logic with history brings with it the color of cutting history with logic. The concrete manifestation is that the division of the art form of “drama” does not conform to the logic of art development, neglects the subjectivity of dance and some oriental art, and according to its aesthetic system, can not classify the new art film.