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中国当代水彩画以大学美术教育的普及为基点,以学院教学研究为背景,逐渐在中国地域范围形成自己的发展样式,近几十年来,全世界也只有中国的大学美术色彩考试用的是水粉材料,进而形成了具有中国特色的色彩基础课程,由于大学基础教育的色彩课程和学习人数巨大,教育的机制拯救了水粉和水彩画的发展,水粉和水彩画的价值判断有了十分良好的共性基础,水粉和水彩画的多元发展也取得令人瞩目的地步。水粉画与水彩画的共同性特征一定程度上达到了互通表现的可能,逐渐有许多人开始转入水彩画的行列,中国式的水彩画在强调其与水粉画不同的秉性上凸显其“贵族”的身份,并由此而建立起独立意义上的艺术表现方式和地位。
In the background of college teaching and research, Chinese contemporary watercolor gradually forms its own style of development in the geographical area of China. Based on the popularization of art education in the university, only the gypsum materials As a result, the color scheme and the number of students studying in the basic education of the university have made great achievements. The educational mechanism has saved the development of gouache and watercolors. The value judgments of gouache and watercolors have a very good common ground. The gouache And the diversity of watercolor painting has also made remarkable progress. The commonalities of gouache and watercolors have reached the possibility of interoperability to some extent. Many people are gradually turning to the ranks of watercolor. Chinese-style watercolor highlights its “nobility” by emphasizing the different natures of gouache , And thus establish an independent artistic expression and status.