一、当编剧是困难的,很多编剧总觉得没有什么可写。觉得现在的影片已经把所有的,可以写的素材与故事情节都写过了经常有编剧感到没有故事好写,或者在一个故事上苦苦思索,最终却发现不得要领。一个构思改不下去了,进入了死胡同,是另一个方面的问题,我们这里先来谈谈怎样着手构思,进入的途径顺利了,发展就会水到渠成。在构思之前,需要先确定你准备创作一个什么模式的故事?可能很多编剧会感到棘手,故事的模式非常多样,我怎么选择呢?其 First, when the screenwriter is difficult, many writers always feel that there is nothing to write. I feel that now the film has all the material can be written and story have written often feel there is no story to write a good screenwriter, or in a story hard thinking, but eventually found no essentials. A concept can not go on, into a dead end, is another aspect of the problem, here we talk about how to proceed with the idea, access to the smooth, and development will come to fruition. Before you think about it, you need to be sure of the story that you are going to create a model for. Many screenwriters may feel thorny and the story is very diverse. How can I choose it?