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一、导言近年,关于电视纪录片的讨论成为学界的热点问题,很多学者通过综述、类比等方式在文化学语境、现象学视域和新媒体视角下对电视纪录片的美学特征、意识形态以及国际传播等问题进行研究,目的在于促进中国电视纪录片的发展与壮大,缩短国际认知的周期,减少人力、物力成本的消耗,加快从本土化到国际化的步伐。在研究过程中,日本的电视纪录片作为成功范例广为提及。在日本,纪录片的制作和播出源于20世纪50年
I. Introduction In recent years, the discussion on TV documentaries has become a hot issue in the academic field. Many scholars have summarized the aesthetic characteristics, ideology and ideology of television documentary in the aspects of cultural linguistic context, phenomenological perspective and new media by means of review and analogy. Communication and other issues, the purpose is to promote the development and expansion of China’s television documentary, shorten the cycle of international awareness, reduce the consumption of manpower, material and material costs, speed up the pace from localization to internationalization. In the course of the study, Japanese TV documentaries were widely mentioned as success stories. In Japan, documentaries were produced and broadcast in the 1950s