《中国书法》:几十年来,你在中国书协研究部、展览.邵、中国书法杂志社都工作过,也曾经是全国中青展最年轻的评委,从你的角度来看,你认为展览与评审在当代书法发展过程中扮演着怎样的角色,起着怎样的促进作用?刘恒:展览在当代书法发展过程中非常重要,也可以说是书法发展到当下的一种新的形式。民国以前没有严格意义上的展览,民国时的展览规模较小,也没有这么多人参与。中国书协作为一个团体组织,必须要开展活动,没有活动,它的社会影响力就会减弱。它必须通过展览、学术等活动来对会员、对书法艺术的提高起到作用。中国书协的活动分创作、学术、普及培训三大块,其中与广大的书法作者、会员联系最密切的活动就是展览。展览最直接地反应了当代书 “Chinese Calligraphy”: For decades, you worked in the China Calligraphy Research Department, the exhibition, Shao, the Chinese calligraphy magazine, and the youngest judge of the National Youth Exhibition. From your point of view, what do you think Exhibition and accreditation in the development of contemporary calligraphy in what kind of role play, what kind of role in promoting? Liu Heng: Exhibition in the development of contemporary calligraphy is very important, it can be said that the development of calligraphy to the present a new form. The Republic of China did not have a strict sense of the exhibition before, the Republic of China exhibition scale smaller, not so many people involved. As a group organization, China Shuxun must carry out its activities. Without its activities, its social influence will be weakened. It must play an active role in promoting the art of calligraphy through exhibitions and academic activities. The activity of China Shuxiefen is divided into three parts: creation, academic and popularization training. Among them, the most closely related activity with the majority of calligraphists and members is the exhibition. The exhibition most directly reflects the contemporary book