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吴炳是晚明时期继承了临川余绪的著名传奇剧作家。在他的传奇剧创作中,非常重视净、丑两类角色在喜剧艺术中的作用,他赋予了净、丑两类角色以更多的喜剧因素,从而把中国古代戏剧艺术中的净、丑角色推向了一个更为成熟的高度,在古典喜剧史上形成了其独特的艺术风格。本文主要通过对吴炳剧作中净、丑两类角色的详细分析,探讨了吴炳戏曲创作从净、丑两类角色的角度表现其审美旨趣的喜剧特色,于芥豆处揭示晚明时期的社会生活状况。
Wu Bing is a famous legend playwright who succeeded Lin Yu-chuan in the late Ming period. In his legendary drama creation, he attaches great importance to the role of the two types of characters, net and ugly, in comedy art. He gives both net and ugly characters more comic elements, so that the net and ugly in ancient Chinese theater art Character to a more mature height, in the history of classical comedy formed its unique artistic style. This article mainly analyzes the characters of net and ugliness in Wu Bing’s play by analyzing the comedy features of Wu Bing’s opera creation from the perspective of net and ugly characters, Social life conditions.