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20世纪50年代“百花文学”思潮的出现深受“双百方针”和苏联“解冻文学”思潮的的影响。鉴于中苏当时的特殊政治联盟关系,文艺政策的执行与调整也多倾向于苏联,因而“百花文学”作品自然耦合了苏联“解冻文学”的写作模式,尤在当时“干预生活”的相关作品中表现明显。但因不同的国内形势,苏联的“解冻文学”繁荣发展,而国内的“百花文学”却在政治的强力下被迫中断。尽管“百花文学”思潮是短暂的,但毕竟显示了20世纪50年代中国文学生态的新变,与新时期文学也有着某种内在的关联。
The emergence of the trend of “Baihua Literature” in the 1950s was deeply influenced by the “Double Hundred Principles” and the Soviet Union’s “Thawing Literature” trend. In view of the special political alliance between China and the Soviet Union at the time, the execution and adjustment of literary and art policy tended to be much more toward the Soviet Union. Therefore, the works of Baihua Literature naturally coupled the writing mode of the Soviet Union and Thawing Literature, Life “in the relevant works obvious. However, because of the different domestic situations, the ”thawing literature“ of the Soviet Union prospered and the domestic ”Baihua Literature“ was forced to cease under the influence of the political power. Although ”Baihua Literature " trend of thought is brief, it shows the new changes of Chinese literature ecology in the 1950s and has some intrinsic connection with the literature in the new period.