在费家村采访黄岩时,一个最明晰的感觉就是中国的确没有专业策展人。用黄岩的话说,中国要出现职业的艺术策展人还有很长的一段路要走。现在,中国的艺术策展人大多数一半活在体制之内,一半活在体制之外,而做艺术策展,则多多少少还带有一定的随机性。玩,是一种自由的心态与人生态度,而于职业上,则多多少少还是不太成熟的表现。目前的中国艺术策展人,仍陷在某种误区之中。 One of the clearest feelings when interviewed Huangyan in Feijia Village is that China does not have any professional curators. In Huangyan’s words, there is still a long way to go before an art curator in China is to emerge. At present, most of China’s art curators live within the system, and half live outside the system. However, art curators are more or less random with a certain degree of randomness. Play, is a free attitude and life attitude, while in occupation, more or less or less mature performance. The current curator of Chinese art is still stuck in some misunderstanding.