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魏晋以降几成绝响的篆书,在书法艺术空前繁荣的盛唐、中唐时期,又进发出了新的生命力,老树开出了新花。李阳冰是唐代篆书的代表人物,而西安碑林所藏《三坟记碑》、《拪先茔记碑》,则是他能流传至今的为数不多的书迹刻石中非常重要的两件。通常认为,此二碑系北宋大中祥符三年(1010)所重刻,依据是《拪先茔记碑》附刻的一则宋人题记。然而笔者近来重读此二碑,反复推敲这则题记,爬梳前人对二碑的著录,并在碑林展室观察、摩挲碑石本身,则对碑为宋人重刻之成说产生了怀疑:它们究
The Wei and Jin dynasties reduced the number of perfect script, in the prosperous period of calligraphy art unprecedented prosperity, the Middle Tang Dynasty, but also launched a new vitality, the old tree out of new flowers. Li Yang Bing is the representative of seal script in the Tang Dynasty, and the “three tomb monument” and “the first tomb remember monument” hidden in Xi’an Forest of Stone Tablets are the two most important pieces . It is generally believed that this second monument is re-engraved by the Northern Song Dynasty Daxiang Xiangfu for three years (1010), based on a Song inscription inscribed with “The First Tombstone of the Tomb”. However, I recently reread this two-story, repeatedly scrutinize the inscription, the predecessors of the two-story record, and in the Beilin exhibition room observation, Mount Mobei stone itself, then the monument to the re-carved into the Song said: They study