中国画传统的理论历来强调“师古人”、“师造化”和“得心源”。这三项要求构成了中国画学习和创作实践过程中循序渐进的“三部曲”。“三部曲”理论,是中国历代画家们实践经验和理论思考的总结,是经过千百年积淀才逐步丰富和完善起来的中国画所独有的理论体系。这些理论为初入门径者指明了学习中国画的主 The traditional Chinese painting theory has always emphasized that “the ancients”, “teachers of the” and “heart”. These three requirements constitute a gradual “trilogy ” in the process of learning and writing Chinese painting. “Trilogy ” theory, is a summary of practical experience and theoretical thinking of Chinese ancient artists, is a unique theoretical system of Chinese painting gradually enriched and perfected after thousands of years of accumulation. These theories point the way for beginners to learn Chinese painting