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青春版《牡丹亭》近年来历演不衰,在国内外获得普遍好评,吸引了大量的年轻观众的同时,在评论界也引发了传统剧目改编的热议。本文力图以青春版《牡丹亭》所引发的文化热潮为切入点,从全本戏与折子戏的角度,梳理《牡丹亭》问世以来的发展历程。结合当下文化消费特征,分析青春版《牡丹亭》文化现象背后潜在的大众审美需求,探讨现代传播媒介下如何利用全本戏的形式以故事消除观众的接受障碍,引导并培养观众的欣赏习惯,为传统的戏曲艺术的传承开拓新的局面。
The youth version of The Peony Pavilion has enjoyed an unforgettable performance in recent years. While enjoying universal acclaim both at home and abroad, attracting a large number of young audiences, the “Peony Pavilion” youth version also sparked a heated debate on the adaptation of traditional plays in the critics circles. This article tries hard to sort out the development process of “The Peony Pavilion” since the advent of the “Peony Pavilion” from the angle of the whole culture and the play-off opera. Combined with the current characteristics of cultural consumption, analysis of the youth version of “Peony Pavilion” cultural phenomenon behind the potential of the public aesthetic needs to explore the modern media how to use the form of the whole story to eliminate barriers to acceptance of the audience to guide and cultivate the audience’s appreciation habits, For the tradition of traditional Chinese opera open up a new situation.