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中国画的真伪鉴定及断代,历来被公认是最复杂的综合性学科之一。在国外古董拍卖中,中国画真伪大多由买家自负其责,拍卖行不出具任何保证书,如发现是赝品、亦不可退货。而其他拍品,一般在规定的时间内发现有假,总是都能索赔。 造成中国画伪作充斥的原因很多,有为学习古人而临摹的;有的则为了谋取暴利;亦有出于个人爱好等。其中水平有优、有劣,掺杂于真品之中,有的半真、半假,鉴定的任务就是去伪存真及断代。 中国画鉴定之所以较其他学科相对困难,主要是鉴定者要具备各种有关知识,如中国通史、中国绘画史、中国印章史、中国书法史、中国建筑史、中国器形学、中国服饰史等。在具体操作时,又有主要依据和辅助依据之分(张珩在《怎样鉴定
The authenticity and identification of Chinese painting and dating have always been recognized as one of the most complex and comprehensive subjects. In foreign antique auctions, the authenticity of Chinese paintings mostly by the buyer at their own responsibility, the auction house does not issue any guarantee, found to be counterfeit, nor returned. The other auction items, usually found within the prescribed time fake, always can claim. There are many reasons why Chinese paintings are fake. There are many reasons for copying ancient Chinese paintings; others for profiteering; others for personal interests. The level of excellent, poor, doping in the real thing, and some semi-real, semi-fake, identification of the task is to go false and true and dating. The reason why Chinese painting appraisal is more difficult than other disciplines is that appraisers should have all kinds of relevant knowledge such as general history of Chinese painting, Chinese painting history, Chinese seal history, Chinese calligraphy history, Chinese architectural history, Chinese shape study, Chinese dress history, etc. . In the specific operation, there are also the main basis and auxiliary points (Zhang Heng in "how to identify