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在当今大学所开设的舞蹈编导课程中,基本以编导技法为主。技法是为动作服务的,动作是整个舞蹈中赖以生存的本质属性。本文主要研究的是舞蹈编创中动作点、线在整个舞蹈中的运用方式。点和线的节奏分配、动作数量分配的不同会体现出不同的审美效果。通过对舞蹈《且看行云》中点、线运用的分析,探究“点”和“线”在舞蹈编创中和古典舞的运用方式与之有何不同,并且如何借鉴古典舞蹈中点和线的搭配规律也是本文要研究的重点。
In today’s college dance choreography courses, the basic techniques of editing. Technique is to serve the movement, movement is the essential attribute of the entire dance survival. This article mainly focuses on the points of action in dance editing and the way of using lines in the whole dance. The rhythm distribution of points and lines, the distribution of the number of different movements will show different aesthetic effects. Through the analysis of the midpoint and line of the dance, “Look at the Clouds”, we will explore how the use of “Dian” and “Line” in the dance creation and the classical dance is different and how to draw lessons from the classical dance The law of midpoint and line is also the focus of this article.