年轻而激进的勋伯格,暮年回归的施特劳斯,晚年依旧探索的贝多芬,少年圆熟却热衷于传统的门德尔松……音乐的世界恰如室内乐精神:每个人秉持自己的内心,同时倾听并接纳他人。最近,不少朋友都在追日剧《四重奏》,当四位主人公拿起提琴,校准音高,在相互倾听中奏响音乐,那与世隔绝般的亲密氛围颇令人神往。学习演奏室内乐作品,必要经历排练初期跌跌撞撞的磨合过程,而那种终于学会和伙伴们迈着同样步伐走入音乐的奇妙感受,令人永远 Young and radical Schoenberg, returned later Strauss, later still explore Beethoven, juvenile mature but keen on the traditional Mendelssohn ... ... the music world is just like the spirit of Chamber music: everyone uphold their own hearts, Listen and accept others at the same time. Recently, many of my friends are chasing after the Japanese drama “Quartet.” When the four protagonists picked up the violin, calibrated the pitch and played the music with each other’s listening, the intimate atmosphere of the world was fascinating. The study of chamber music works, the need to go through the rehearsal of the initial rehearsal of the running-in process, and finally learned to learn the same pace with partners and marvel into the music, forever