结构篇起·承·转·合文学艺术作品,大都讲究结构,重视章法,不仅小说、电影、戏剧、诗歌,音乐如此,一幅字画,一张剪纸,甚至一方小小的图章,也并不例外。不过,由于时间艺术和空间艺术的不同,艺术形式和表现方法的差异,因而在章法上各有具体的特点和要求。戏曲剧本要求故事有头有尾,情节有起有伏,人物形象孕育、形成于情节起伏之中,主题思想体现在完整故事之内。因此,严谨的戏曲结构,不能离开“起承转合”的规范。换句话说,“起承转合”也就是戏曲结构的章法。 Structural articles from the beginning to the turn of the literary and artistic works, most of the stress structure, emphasis on the law, not only novels, movies, drama, poetry, music so, a picture, a paper cut, and even a small seal, nor exception. However, due to the differences between time art and space art, the difference between artistic forms and presentation methods, the chapters have their own specific characteristics and requirements. The drama script requires that the story bears its own head and tail, that there are ups and downs in the plot, that the character image is nurtured, that the plot is formed in the ups and downs of the plot, and that the theme thought is embodied in the complete story. Therefore, the rigorous structure of the opera can not be left out of the norms of “bearing the right to the right”. In other words, “Starting from the right to the right” is the chapter structure of the opera structure.